Skip to main content

Power-Pointing the War

So the New York Times publishes an article about how military officials recognize that Iraq is a major clusterfuck, and it includes the following image:















Reactions have been predictable.
  • Over at Daily Kos, georgia10 notes that, along with the National Intelligence Estimate concluding that the Iraq war has exacerbated the terrorist threat, this picture shows "that the administration is well aware that Iraq is a 'failed state, that 'ethnic cleaning' is taking place, and that a stay-the-course policy has failed to stop the stop the steady march towards chaos."
  • Meanwhile, Michelle Malkin (of course) froths at the mouth about the "blabbermouths" at the Times who betrayed their country by publishing classified material. Because as we all know, terrorists love them some PowerPoint.
Has anybody pointed out how poorly designed this slide is? It's a validation of all that Edward Tufte has been saying about PowerPoint's ruinous effects. Note the strange 'central command' running down the left-hand side; the suspiciously unhelpful color-coded shape symbols; the crowding of information in fonts of nearly the same size; the general ugliness of design; the tagline at the bottom (beginning "Urban areas"), formatted with a bizarre open-ended red border; the inconsistency of scale in the figure (a week at one point, "pre-Samarra" at another); the seemingly arbitary arrangement of information; and the tendency to view the world through bullet points.

Returning to georgia10 at Daily Kos, she seems to love this figure, even hauling out that old chestnut "a picture is worth a thousand words." She's mainly excited because the figure is bad for Republicans, but a well-designed figure would have been a whole lot worse.

PowerPoint, recall, helped get us into this mess (thanks loads, Colin Powell). But even when it conveys important information, it seems PowerPoint can't help but suck.


Comments

Anonymous said…
Hey man, nice catch!

Popular posts from this blog

Who else can't speak for himself? Hermagoras, that's who. Because UD won't let him.

Welcome, Uncommon Descent members ! For the record, I don't ban users or arguments (I will delete threats and suchlike.) As long as you're here, you might check out the reality behind ICON-RIDS (if you haven't heard about this before). A letter to GilDodgen, responding to this : I, Hermagoras, am banned at Uncommon Descent but apparently still discussion-worthy. Indeed, a whole post devoted to refuting someone (me) who is not allowed to respond. You guys are certainly committed to fair debate! I was trying to make a fairly simple point, which I would have thought IDers agree with: that all observations and all "facts" are theory-laden. It's simple enough. I elaborated it in a post which Dembski apparently thought was off-topic and led him [to] ban me in precisely the terms I previously discussed on my blog . Hilarious. Then continued discussion (again I can't respond) about how I'm trying to be the clever one . Nothing in my banned posts ...

Radical misreading: Kairosfocus on Saul Alinsky

Just a brief note to respond to kairosfocus, who claims regarding Saul Alinsky: For those who came in late, Alinsky was a neo-marxist radical who saw cultural and community subversion as the means of communist revolution. I cut my critical thinking eye-teeth on Communists, messianistic charismatic pols and cultists, and have wariness about all three. (All quotes in bold are emphasis added.) Truth be told, kairosfocus couldn't tell a Communist from a hole in the ground. He links to a passage in his bloviating web page on "selective hyperskepticism" as follows: His premise for resorting to ruthless radicalism -- as stated in his key work, the 1971 Rules for Radicals [RFR] was that: " A Marxist begins with his prime truth that all evils are caused by the exploitation of the proletariat by the capitalists. From this he logically proceeds to the revolution to end capitalism, then into the third stage of reorganization into a new social order of the dictatorship of...

Scott Simon and NPR hate poetry

On NPR's Weekend Edition this morning, Scott Simon delivers a commentary about the recent exposure of gang-banger "memoir" Love and Consequences by Margaret Jones (actually Margaret Seltzer). Simon observes that "the book is a fraud, but Ms. Seltzer came within hours of of being on NPR." Wrong . In fact, Jones/Seltzer did make it onto NPR's syndicated show "On Point," and the show followed with an hour-long, hand-wringing examination of how they got punked in the first place. But that minor error is nothing compared to what happens next. Simon quotes Seltzer making up some bullshit about her life and observes (my transcript of the online audio): Now if some Brooklyn or London novelist had written a story set among drug gangs and uttered those words, people might have dismissed them as pretentious nonsense. Put those sentences into a so-called memoir, people call it "gritty and real," or "raw, tender, and tough-minded,...